BIBLIOGRAPHY
Her
work has been published in many journals and anthologies, including
The Best Poetry of 1989 (Scribners 1990), Robert Bly’s
The Rag and Bone Shop of the Heart (HarperCollins 1992),
and In Company: an Anthology of New Mexico Poets after 1960
(UNM Press 2004). The New Mexico Poetry Renaissance (Red
Crane, 1994), The Ecstatic Moment: The Best of Libido (Dell
1997), Written with a Spoon (Sherman Asher); Thus Spake
the Corpse: (Black Sparrow 2000); XY Files (Sherman
Asher, 2001), Written with a Spoon (Sherman Asher, 1995)
and The Hell with Love Poems to Mend a Broken Heart (Time-Warner,
2002) among others.
Her
poems have appeared in numerous literary journals, small magazines
and periodicals including several volumes of Adobe Walls, Blue
Mesa Review, Exquisite Corpse, The Taos Review, Libido, Crosswinds,
Ant Farm,
Esprit, la Ventana, ARTlines, Taos Magazine, Seen From Space, Alma,
Wordworks, The Taos News, Albuquerque Poetry Festival Anthology,
51% Magazine, Desnudas del desierto, Venus Envy, Howl, and
others.
PUBLICATIONS
“Poetry
to the People: The Taos Poetry Circus, the World
Heavyweight Championship Poetry Bout, and the World of
Contemporary American poetry,” Poetry
Flash, May/June 1993.history of literature, spoken word
Smugglin’
Blues, No Press 1993. poetry chapbook
“When
the Soldiers Came: an Oral History of the Taos Pueblo Revolt of
1847.” unpublished essay.
Editor,
The Nineties: The Best Poetry and Photos of the Taos Poetry
Circus, 1990-1999. Pennywhistle Press, 2000. poetry, essays,
photographs
Editor,
Calendar of the Claude Elliott Manuscript Collection. Texas
State Library, Archives Division, 1970. finding aid for historic
papers collection
Editor,
Wordworks, Libre, Colorado, 1976-1980. literary quarterly
She
has also written literary reviews and features for the Santa
Fe Reporter, the Taos News, and Taos Magazine
and was a correspondent for The New Mexican Pasatiempo
in the early 90s
VISUAL
ART
Although
MacNaughton considers herself primarily self-taught, as a child
she was able to study briefly under Lowell Collins on scholarship
to what is now the Glassell School of Art at the Museum of Fine
Arts in Houston, and in her youth she took classes now and then
in various university art programs. She has participated in several
group shows in Taos and her illustrations have been printed in publications
from Baton Rouge to Taos. She has won several awards, including
placing at Taos County Fairs in the 1980s and an honorable mention
from the Museum of Fine Arts as a teenager.